DESIGNinTELL: DESIGN & ARCHITECTURE

GUILD: Covetable Goods

By Bob Graham

During the Middle Ages, guilds were the backbone of urban society. Representing only the masters of each craft, it took years to progress through the stages required to become a recognized expert and gain membership in a guild. The work from each member was expected to be the finest possible and it was from this concept that Shayne Hart and Damon McFadden chose the word GUILD to be the namesake of their business.

Although new to VandM, in the last week of December, 9 out of 10 of the most clicked items on the site were from GUILD. Not a bad start and one that speaks extremely well of the quality of their listings.

Shayne studied English, particularly the literature of the South, and Damon studied theater arts at the Greer Garson School for Theater but their real education has been almost 25 years of working in virtually every area of the design and retail industries.

Shayne opened his first store while still in college with a second one shortly following the next year. Damon began working with Shayne in Dallas where Shayne had been commissioned to do a start-up of another store selling decorative arts and furnishings to the trade and high-end clients.

Along the way, their work has touched down on retail and private interior design, curatorial duties advising clients on forming collections of fine art, working with arts groups and foundations and even recently producing a music video for an East Village band that debuted on VH-1.

Most recently Shayne was Vice-President of Design for non-apparel products and new business ventures at Gap, Inc. and the senior creative officer at Limited Brands, Inc. where he oversaw all areas of design and creative endeavors for the corporation’s entire family of brands. Meanwhile, Damon served as the Corporate Visuals Director for Williams Sonoma, Inc.

Residential loft designed by GUILD

Their careers have gone from there to a variety of roles as merchants, strategists, designers, and brand leaders and their work became primarily focused on creative and design leadership. From advising luxury brands on product design and strategic development to operating a store at legendary style emporium Fred Segal in Los Angeles to designing and producing their own brands of products, they joke that their career paths have been more like winding, twisting country roads than straight-ahead autobahn expressways.

Eventually, they decided to return “home” and began work on GUILD with the purpose of taking all of these experiences, a vast network of artists, dealers, crafts people, designers and makers and a real passion for training their creative toolboxes on projects that interest them and putting these things uniquely together “under one roof”.

GUILD, then, is a venture that is somewhat of a new breed in the design industry that purposefully doesn’t limit its activities to a narrow niche of projects. It has been formed to be able to touch a broad range of design, product and trade activities more holistically. These can range from private interior design clients to product development to operating their own retail venture of fine and decorative arts, antiques, and modern furnishings.

GUILD’S location in New Orleans is also central to its aims and aesthetics. Shayne and Damon have amazing access to traditional crafts people and artisans there as well as a vital and revitalized cultural and fine arts community.

An installation of vintage barn objects from Guild and glass designs from Esque Studios
Another view of the loft designed by GUILD

GUILD creates and daily updates 2 blog sites. The first, GUILD HALL, shares their inspirations, thoughts and points of interest that touch on everything from music to design to the fine arts to collecting. The other is GUILD COLLECTION which shows their new acquisitions, offerings and items for sale.

Detail of a custom lighting design created as a part of temporary brand installation by GUILD

Their philosophy is most defined by finding ways to express and share a variety of artistic visions that are held together by unifying factors. It could be a certain uniqueness or an element of unusually high execution or quality but It can also be about quirkiness or an unexpectedly appealing oddness. They are drawn to those things that do what they describe as “betraying the hand of their maker” but remain most interested in those things and designs that are exceptional in every sense. This means that fine art, folk art, unusual found “relics“, quirky antiques, individually crafted modern designs hold the most appeal.

A collection of primitive musical instruments from GUILD

For example, Shayne and Damon found a primitive stringed instrument that had been made by an untrained craftsman and its small size indicated it had probably been intended for use by a child. Its form and wondrous patina captivated them and they began scouring everywhere for others like it. They found a number of them and all have a sculptural quality and tells its own unique story. The collection they have discovered is currently offered on VandM.com.

Their tastes are unerring. They recently discovered a pair of outstanding 19th century oyster plates from Brooklyn’s Union Porcelain Works. One of the most desirable and collectible forms of these plates, they were the first oyster plates manufactured in the United States and are featured in the collections of the Brooklyn Museum and The Smithsonian Institute.

Late 19th century Oyster Plates available from GUILD

But whimsy plays a large role in their offerings as well. Shayne and Damon recently found a cache of articulating doll’s eyes that look outstanding mounted on custom museum bases. The juxtaposition of “weird” and “wonderful” makes these a prime example of GUILD”S unique point of view. Are they collectibles?  Art? Antiques? In fact, they are all of these when interpreted by Shayne and Damon.

 

Articulating doll’s eyes on museum mounts from GUILD

They remain most interested in those things and designs that are exceptional in every sense: they are exceptions and not the rule or standard. This means that fine art, folk art, unusual found “relics“, quirky antiques, and individually crafted modern designs hold the most appeal to them. A collection of vintage optometric instruments offered by GUILD is a perfect example of their point of view. 19th century European in origin, each instrument or occulus has both a time worn patina and a unique mechanistic aura that when fitted on custom stands makes an outstanding presentation.

Vintage Optometric Devices from GUILD

Shayne says that “the longer you do what we do, the more esoteric and rarified your tastes become. When you’ve been around the parapet a time or three, it just takes a lot more to capture your attention and especially your imagination and desire. This is one reason we refer to GUILD’s collections as ‘covetable goods’.”

In their quest for the finest, GUILD also represents artists and artisans from around the world including Frederique Morrell, Sawkille Co., Carter and Cunningham, and Daniel Forrest Hoffman among others.

In addition, they currently have a home fragrance collection in the works that draws upon New Orleans for its inspiration and a small collection of furniture inspired by the work of minimilist artist Donald Judd.

19th century painting of an athlete available from GUILD

And as if they weren’t busy enough already, Shayne and Damon recently found an exceptional oil painting of the classical school of a discus thrower. Although unsigned and anonymous, it displays accomplished brushwork and nuanced coloring. Contact GUILD for more information.

Tom Dixon’s copper mirrored ball lights and “etchings” of winter trees used as
elements in an installation by Shayne and Damon at the Chelsea Arts Tower in NYC.

 

This year they plan to launch a series of exhibitions or pop-up galleries/shops to be called GUILD HALL. They will arrive a city with a production design team and set up shop in an architecturally interesting space that is vacant or unused and create a temporary installation that will last about 4 to 5 days. At these, they’ll show the work of the artists and artisans with whom they work and invite other likeminded merchants or dealers to showcase things along with their own collections and designs. Each of these will benefit a local arts charity so that GUILD will contribute to the local cultural community rather than just rolling into town, selling some stuff and leaving nothing behind.
A special Guild Hall exhibition for the trade will begin on March 31 in conjunction with the High Point Antique & Design Center in High Point, NC. It promises to be an exciting and unique event. For more information, go to http://www.guildinc.net/.

 

Temporary installation by Guild for a national retail client

 

They remain actively involved in charitable activities that they care about and that tend to draw others interested in the same. New Orleans’s outstanding biennial of contemporary art, Prospect, the largest art event of its type in the country, is a key focus of their energy. Visit http://www.prospectneworleans.com/.
Quite an itinerary for a duo that move constantly forward, blurring the boundaries of retail and artistic endeavors.
GUILD’s merchandise can be seen at http://vandm.com/Guild as well as their own websites www.guildinc.net, http://guildhall.tumblr.com/, and http://guildcollection.tumblr.com/. Their studio is open by appointment and is located at 642 North Rampart Street in New Orleans and can be contacted at (504) 301-0767 or (310) 592-2593. Their email is inquiry@guildinc.net
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